"The history of art was written by men, in practice and in theory. Painting has a symbolic and dominant place inside this history, and in the twentieth century it became the major expression of masculinity, especially through abstraction. For me, the choice to be mainly a painter and to use the codes of abstract painting, as they have been defined historically, is not only an artistic challenge: its main meaning is occupying a territory that has been denied to women historically. I occupy this territory aesthetically and politically because I create materially abstract paintings, but I integrate in this male field a feminine universe: that of sewing and embroidery."
Ghada Amer, 2006